bhutan architecture
In advance of my recent journey through Bhutan, in all the imagining of exploring the spirituality, culture, landscape,
and connecting to the people, one of the great attractions I strongly felt in preparing for this journey was the stunning
imagery I had studied of Bhutanese architecture.
I’ve been on a longer journey all over the world, always seeking to learn more about the spirit of buildings,
and how they represent the vision, dreams, and imagination of the cultures that create and use them.
I was not disappointed. I was captivated, mesmerized, my eyes tried to soak in the perfect proportions, the graceful
angled walls, the gently sloping, dramatically extended eaves floating overhead, the earthen and stone and solid
massing and textures, the deep scents of wood, earth and smoke, the beams of light streaming through gracefully
carved windows, the perfectly orchestrated rhythm and layering of fenestration, framed in stunningly intricate
trimmings and woodcarvings, and the rich and effusively colored layers of decorative patterns and endlessly detailed
artwork and paintings on walls, columns, eaves, doorways, friezes, the rich heavy timbered, polished and leaf-dyed
floors – where I spent much time prostrating to the deities and relics held within.
There were many indescribably deep experiences, in this country full of richness – this land focused on holding on to
its prized conception of gross national happiness. Cliff-hung meditation huts, monasteries, nunneries, pristine rock
filled riverbeds, endless tree-covered ridges, full with an amazing array of trees, plants, animals, insects, roadside
water-wheels and mills, fluttering prayer flags casting hopes in the wind, terraced hillsides green with diverse crops,
simple farm houses seemingly growing out of the earth. And so many wonderful connections with honest, open, warm
and welcoming people – professionals, villagers, farmers, nuns, monks, lamas, schoolchildren. The family who invited
us to join their annual breakfast ritual at Taktshang, as we were the first visitors of that auspicious day, the Lama
Kunzang Dorjee and his story about the animals who appeared to him in need of rescue. The tireless, caring, articulate
ministrations of our guide Tsewang Nidup, and the final coincidental flight delay which allowed us to receive a
blessing from H.H. Je Khenpo.
Still, to me, the architecture captures the spirit of Bhutan with the most powerful and permanent impact. It has stood
over generations, holds the treasures and contains the rituals of the people and their spirituality, represents the highest
expression of culture in arts and crafts, embodies the energy of the collective culture, through time. As I walked in awe
of the highest level Dzong structures and the most well-cared for temples, I was also captured by the simplest of
structures woven from bamboo, to the earthen ruins or slowly dissolving farm houses which become part of the
landscape.
We stopped to rest along our journey at a series of accommodations, determined to be appropriate for guests from other
countries. That experience was less than authentic – a hybridized version of Bhutanese and western amenities, so
neutralized that they could not capture that spirit found in the range of truly authentic homes and temples we
experienced on the journey. And even more removed, were some new developments we observed that were overscaled,
poorly proportioned, western based design with Bhutanese decorative references slapped on. There were also
many structures with glaring strip fluorescent lighting tacked on to beautiful old wood timber beams, corrugated metal
roofing, and power line entanglements. Updated lighting, electrical, plumbing, heating, etc., can all be integrated in a
more careful and subtle manner, without destroying the integrity of the existing buildings. These new developments
were the biggest disappointment, and danger, to the future of gross national happiness that I experienced.
The best accommodation was an old palace that had been converted to a small hotel, and retained the character and
spirit of the original and authentic details. I can imagine a better future for development in Bhutan, where some of
these beautiful, simple, authentic structures that have been abandoned to the dissolutions of nature and time, are
lovingly restored, cleansed and cared for, and re-used as simple lodgings, shops, or homes. I remember the boiling pots
over the kitchen firebox, the soft warmth of polished wood-timber floors, sliding window shutters opening to pastoral
views of farmland and green hillsides. I can imagine roaming the grounds and connecting pathways to town centers,
villages, forests and meadows. I can see a scale and proportion meeting the landscape rather than affronting and
overpowering their context, whether located in the center of the town or on outlying valleys and hillsides. That is what
Bhutanese architecture embodies, that is a unique and valuable asset that Bhutanese people can treasure and celebrate.
Buildings stand for many years, and the process of building them is a fleeting moment in their life-span. The energy,
care and time put in to creating new buildings in Bhutan can be carefully managed through strictly held design review
guidelines and the institution of a detailed design review process, responsible and sustainable construction practices,
and quality and material requirements. Insuring that all new building and renovation projects are held to the high
standards of Bhutanese architecture will create a future without regret for what has been lost. In my work around the
world and in developing countries I’ve seen the other future – of drive to modernism unmanaged, the extinguishing of
the heart and spirit of the people and their relationship to their land, their environment, their collective culture, the
devastation of the land and environment through careless construction processes, lack of erosion control, and poor
waste management. This managed growth will require more time and care in designing and building new structures, or
renovate existing ones, in creating infrastructure – time and energy invested to insure the future of Bhutan is truly
happy, and remains truly Bhutan.





November 1, 2008 at 7:45 pm
Whoa, here’s the beginning of something grand. And what a grand initiation. I savor that you’ve begun to tell some of the stories that the world of design, architecture and creativity are waiting to hear. Wonderful — and looking forward to more! And a fantastic story to begin with, after all…
Bhutanese Architecture!
All the best — and more soon!
Tim Girvin | GIRVIN | Strategic Brands
New York City + Seattle | Tokyo | girvin@girvin.com | corporate: http://www.girvin.com | personal: http://www.tim.girvin.com/ | blogs + journals: http://blog.girvin.com/ | http://tim.girvin.com/Entries/index.php
November 2, 2008 at 7:22 am
wonder full, you are – thank you Tim, for your very generous note, and inspiration, in all. warmest, dac